I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. His fall is never complete, but he is much changed.
The Othello who enters the bed-chamber with the words, It is the cause, it is the cause, my soul, is not the man of the Fourth Act.
Iago in this play, has the qualities of the Devil in medieval and Renaissance morality plays: This confidence was misplaced, and we happen to know it; but it was no sign of stupidity in Othello.
Those who consider Othello their social and civic peer, such as Desdemona and Brabanzio, nevertheless seem drawn to him because of his exotic qualities.
Here Iago goes too far. Othello sometimes makes a point of presenting himself as an outsider, whether because he recognizes his exotic appeal or because he is self-conscious of and defensive about his difference from other Venetians.
If such a passion as jealousy seizes him, it will swell into a well-nigh incontrollable flood. It is an imposition so gross, and should have been one so perilous, that Iago would never have ventured it before.
Still there is a slight interval; and when Othello reappears we see at a glance that he is a changed man. The delay till night-fall is torture to him.
In his soliloquy III. She has not that coolness in the trying hour that characterizes Lady Macbeth. Each thing Iago says is cause for worry. Undeceived, he will do like execution on himself.
Now, by heaven, My blood begins my safer guides to rule, And passion, having my best judgment collied, Assays to lead the way. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that.
Here, however, there occur ominous words, which make us feel how necessary was this self-control, and make us admire it the more: He is quite or nearly indifferent to his own fate as to that of others; he runs all risks for a trifling and doubtful advantage, and is himself the dupe and victim of ruling passion — an insatiable craving after action of the most difficult and dangerous kind.
Keep up your bright swords, for the dew will rust them. Necessity forces his hand, and, in order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and ultimately himself. Lodovico, amazed at his violence, exclaims: The Moor then misses his wife greatly, and comes to loathe the sight of his ensign.
Iago is a man with an obsession for control and power over others who has let this obsession take over his whole life.Examination Questions on Othello Question: How does the character of Desdemona rank among Shakespeare's women? Answer: The predominant feature of Desdemona's character, Mrs.
Jameson thinks, is her extreme gentleness, amounting almost to passiveness, incapable of resenting and resisting. She possesses, as Dowden says, mind, but in the general harmony of her whole being the intellectual.
Othello is a character in Shakespeare's Othello (c. –). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio.
There, he is simply referred to as the Moor. Othello - The play’s protagonist and hero. A Christian Moor and general of the armies of Venice, Othello is an eloquent and physically powerful figure, respected by all those around him.
In spite of his elevated status, he is nevertheless easy prey to insecurities because of his age, his life as a. Lecture on Othello - Othello's Jealousy. From Shakespearean Tragedy by A. C. Bradley. London: MacMillan and Co., The character of Othello is comparatively simple, but, as I have dwelt on the prominence of intrigue and accident in the play, it is desirable to show how essentially the success of Iago's plot is connected with this character.
Here, Othello explains that Desdemona fell in love with him while listening to his life stories – romantic tales of travel, adventure, and danger.
When Othello recalls that Desdemona said "she wish'd that heaven had made her such a man," we can interpret the line in a couple of ways.
Othello character of extreme. Othello is a character of extremes - Othello character of extreme introduction. He has no middle range. Right a response to this statement supporting your answer with suitable reference to the text.Download